Then, they donned the seven-foot-tall structure made of cane and brown nylon mesh and learned to push the internal levers, which would turn the ears, flick the tail and bend the legs. You’re kind of playing with it like it’s a Barbie.” The exercise is about finding the character that is specific to that object and finding the life in that object.
“I give them twigs, maybe 15- to 20-centimetre-long sticks. “The first thing they do is they make sticks breathe,” Millar said. In December, they began two weeks of puppetry training. Millar found 12 “saintly athletes” who would make up the four teams playing Joey and his calvary comrade, Topthorn. To find a way for the three of you to breathe together.” “The only thing you can do to help yourself is to work together. “Normally in an audition, you’re in a competitive environment,” said Mervyn Millar, the associate puppetry director. This advertisement has not loaded yet, but your article continues below.
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